Thursday, 27 March 2014

Regarding "Irony"

Since it's basically a running joke now that no-one actually knows what "irony" means and it's probably the most misused word in the English language (with the possible exception of "literally"), let's start off with a dictionary definition of what "irony" actually means:
"The expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect"
Alright cool, now let's do it again but using the definition of "irony" in the context that most people on the internet use it in:
"The expression of nothing by making your work generally shit."
Don't worry, this piece isn't going to go all "Grammar Nazi" on you, I don't proofread this blog enough (at all) to get away with that. What we are going to talk about however, is the somewhat disturbing trend of defending media and/or comments with of "it's supposed to be IRONIC." It's a pretty arbitrary defence at the best of times, but really it just seems to come off as a "Get Out of Jail Free" card for the otherwise undefendable.

Let's start off in videogame town, because that's all I really know. Let's talk about games like Bayonetta and Lollipop Chainsaw, two games that were generally well-received but did get some flak for their portrayal of female characters. But WORRY NOT, because the extreme over-sexualisation of both protagonists in these games was IRONIC (and therefore HILARIOUS).

Regarding Bayonetta, and comparing it's sexualisation with the dictionary definition, what part of it exactly is "ironic"? So Bayonetta herself is intentionally fetishised to a ridiculous degree to make a statement on female characters? What statement is that exactly, that there simply are over-fetishised female characters in videogames, so here's another one to point and laugh at? Bayonetta is goofy but it's certainly not a comedy (or at least I hope it's not supposed to be one), if it's not a comedy why would they intentionally make their character design and art style into a big meta joke?

You could definitely argue that Lollipop Chainsaw is supposed to be a joke, but one I've never laughed at. It's not even the character design of Juliet Starling that's the problem here, it's the whole "generic zombie setting" thing as well. Being a Suda51 game, people like to praise the game for being all wacky and creative, to which I naturally respond "why does the game have such a generic setting then?" "BECAUSE IT'S IRONIC" the imaginary Suda fanboys in killer7 T-Shirts that live in my brain retort, and I simply shout back "WELL THEN I DON'T GET IT." Is the fact that Lollipop Chainsaw has god awful combat part of the big ironic joke too? Or can we not stretch the definition that far yet?

It's possible that some of this cynicism comes from me dabbling in writing and other bits and pieces myself, and I know full well from my own experience that there's times where I can't think of a joke in a place where I want one, so I just settle for the whole "ironic bad joke" thing. So if you read/watch/taste anything else I've made where you see me pull something like that, rest assured it's not some grand meta "ironic" artistic statement, if I had a real joke I would have just used it because it's obviously way better to do that. I feel like we all may as well give up when we get to the point where we don't just actively defend, but actually praise games that are trying to be bad for some reason.

There's two huge issues here can I can dig out. First, people seem to consider "satire" as some kind of synonym for "good", and "irony" as a synonym for "clever". Obviously, there's such a thing as god awful satire, and "irony" can be really lame and stupid, haven't you heard the expression "sarcasm is the lowest form of wit....besides memes"? Secondly, these forms of "irony" and "satire" have the side effect of being hugely appealing to the kind of assholes you're trying to make fun of in the first place.

The kind of "bad satire" and irony I'm talking about reared its head recently with The Colbert Report, which tweeted this:

(this tweet has since been deleted....and one day people will realise that trying to silently delete tweets without people noticing is a really stupid idea that always gets you in more trouble...)

I'm not a huge fan of Colbert or anything, he was pretty funny as the eyepatch guy in Harvey Birdman: Attorney at Law I guess (Ha! Ha!) I do know he's capable of good satire and has done so in the past, and I'm also reasonably sure that he's not a racist. Having said that...what da fudge. 

(EDIT: The Colbert Report has since tweeted a reassurance that the account is not controlled by Colbert himself, regardless we can assume that if this wasn't written by him it would have either been approved by him or written by another writer on the show)

For those who don't know, The Colbert Report is a parody of American right wing news outlets, most notably Bill O'Reilly on Fox News. This tweet was made in character by Colbert, so it's a joke, but really what exactly is the joke? It's not that hard to understand before anyone starts dealing out the "irony" card from their deck of bullshit, it's an exaggerated example of what a RACIST MIGHT SAY, but since it's said while simultaneously rolling your eyes at it I guess it's okay. 

Here's the thing that ties this back to the problems with "irony", because it's a "joke" and therefore "clever" people will instantly dismiss any offence it might cause (which evidently, based on the Twitter feedback, was a lot). Even worse though, is that for every person who laughs at this because of "HA! He's making fun of racists! Those silly racists!" there's a person actually laughing at it because they are just racists and find this kind of thing funny. It's not pictured but originally the first tweet responding to this one was a guy asking him to "do Mexican Americans next!" so in other words: "Say what a racist would say about Mexicans because I would find that soooooo funny!" 

Ultimately, although this whole thing is a joke, it's a ridiculously lazy joke by a performer who is better than this, and it panders to bigots whether it intends to or not.

Jokes, (good) satire and comedy are really important in fighting oppression and changing hearts and minds in my opinion. Comedy takes reality and exposes it for how ridiculous it truly is, and there's nothing more ridiculous that discriminating against someone because of their race, gender, sexuality and so on and so forth. But what -good- comedy should be doing is blowing up stereotypes and exposing them for the stupidity that they are. In order to get someone to consider new ideas you have to challenge their old ones and comedy is a great outlet to do that. People set in their ways WILL reject new ideas almost instantaneously, you have to challenge their way of thinking intellectually first, and it takes smarter "satire" than this.

What this particular brand of "joke" boils down to is simply copying and pasting something a racist might say and then putting "LOL" after it in the script...which even if it wasn't offensive wouldn't be funny or clever. It doesn't challenge anyone's ideas, it doesn't stand up for anyone, it just takes real hatred that exists and gives it more exposure. That might in itself be the point, let more people see it to realise the insanity of it, but that's normally where the REAL ACTUAL SATIRE SHOULD FILL IN THE GAPS...maybe. In the end it's just a gutless, dickless little joke that panders to two different brands of idiots and achieves nothing other than upsetting a lot of people.

Having said that, there is one part I'm not on board with in this whole thing and that's the whole #CancelColbert movement on Twitter. Now admittedly, "Cancel Colbert" might just have been the words of choice due to the funky almost-alliteration for "this sucks we don't like this", but with these things there's always an aura of "this is bad so it needs to be removed/censored etc." to them that bothers me. As important as racism is as a social issue (and it's SUPER important) I don't class it as more important than free speech as a whole. The largest reason for this is because free speech is not only the biggest weapon in the arsenal of people fighting against racial issues, it's important for ALL oppressed people. I would hate to see a precedent put in place where something can be forced off the air for a couple of bad jokes.

As I said above, I think comedy is a really powerful tool when it comes to these issues when it's good. When it sucks...well things like this Colbert thing happen and that's unfortunate. Speaking for ALL comedy here, it's important not to put comedians in an environment where they can get 999 jokes right and 1 wrong and be freaking pulverised for the one that they got wrong (Note: this sentence doesn't apply to comedians that are ALWAYS tasteless and shit). All that attitude will do is cut the nuts off all comedy and put everyone working in it in places where they can't take risks, and sure that would wipe out most of the bad tasteless sort of stuff but it would also take away a lot of the really good and important stuff. Censorship is something that will encase all of us in our grasp if we give it leverage.

This is a situation where it must suck to be a minority, and I accept that as a white straight dude there are things I can't fully understand (unfortunately being fat, poor and British don't count as minorities). On the one hand, you could ignore this sort of stuff and roll your eyes at it, letting it go to the "free speech" argument, and continue to let it slide in our culture. On the other hand you can stand up and speak out against it, which is the most tiring option and also has the side effect of potentially giving the content even more exposure. Or you can hope this sort of thing gets banned, which again can have horrible consequences. So basically, you're damned if you do, you're damned if you don't, and you're also damned if someone else does. Eugh.

I was also going to have a bit in this rambling where I ragged on Mrs. Brown's Boys for being tasteless, offensive and generally awful. But this is has already gone on longer than expected and it doesn't really tie into the whole "irony" thing, so I'd like to use this space to briefly say Mrs. Brown's Boys can go straight to hell.

So in summary, don't use "satire" or "irony" as a defence for something horrible or stupid. "Satire" can be awful and offensive, "irony" can be stupid and pointless, they aren't "heal all wounds" buzzwords that make everything immediately okay. Perverts get off to Bayonetta, and racists like racist jokes and stereotypes. "Irony" does not change what these things truly are at their core.

Also, just as a shorter and louder summary: LEARN WHAT THE FUCK IRONY MEANS.

Monday, 17 March 2014

The Most Laid Back Videogame Review Ever



VIdeogames. Like, woah, man. Do you ever stop and think about how much they've achieved over the past 30 years? We sure have come a long way since holding B to run and tapping A to jump in Super Mario Bros., but then again that was basically freaking perfect, so maybe they've only gone backwards. I dunno, but that's the thing with videogames, it's all about perspective and the way you see them depends on you. Maybe videogames are branching out and taking on new challenges, morphing into something that can directly compete with literature and movies. Or perhaps they're devolving from their once perfect little bubble and compromising with the rest of culture for the sake of acceptance. 

Here's something you need to know about me before we can talk about a videogame for a minute; I'm the sort of person who rates Monsters Inc. a gosh darn 7 out of 10, because that is what it deserves. And simply for the sake of annoying people who really like Monsters Inc. to a slightly disturbing degree, I'll say that I'd rate the movie Cars a gosh darn 5 out of 10. Some will express confusion, possibly even outrage, that I would dare to only consider Cars two points out of 10 less good than Monsters Inc. Also, I absolutely have no issue with the little girl in Monsters Inc., she was adorable and her relationship with Sully was one of the genuine highlights and it confuses, and possibly even outrages, me that people can claim to love Monsters Inc. way more than I do and not like that part of the movie. 

Who knows, I haven't seen either Cars 2 or Monsters University at time of writing. Word on the street is that Cars 2 is really super bad, maybe I should just watch that and rate it, and without ever actually watching it simply give Monsters University 2 more points out of 10 than Cars 2. No-one would have any right to get mad, after all I would be simultaneously acknowledging that Cars 2 is bad while also saying that Monsters is the superior Pixar franchise. But what if I DO end up watching both movies and I really like Cars 2 and hate Monsters University? (which to be honest, I strongly suspect I might on the latter) Then I have to tell people I consider Cars and Monsters to be on an equal wavelength as franchises, and saying stuff like that is the reason I get beat up! (Disclaimer: I'm 6'5 and never get beat up)

Maybe I'm slightly biased towards Cars because seeing that movie was the first time I went to a cinema with a girl, not that we made out or anything. I went to the same cinema with the same girl less than a year later, and by this point was stuck firmly in the friendzone, but we went to go see Spider-Man 3 so fuck her I guess. My grand plan (probably would have been) to take her to see Marley and Me the year after that which (almost) definitely would have led to make-outs but with me being me we weren't really on speaking terms by that point. The bottom fell out completely the year after that where I went to go see Transformers 2 with two guy friends and was so traumatized I swore to never return to the cinema (and I genuinely haven't to this date!) We also didn't make out though. 

Thing is, as much as I really really despise Transformers 2 (there's only one movie I've seen that I consider to be a worse viewing experience and it's Sucker Punch) I distinctly remember talking about the movie with my friends on the way out of the cinema and what we thought about it. The words "oh, I'd give it a 5 out of 10 I guess" definitely came out of my mouth at some point. I was startled and mostly confused, I initially believed that the movie's climax confused me simply because I had somehow missed key elements of the plot, and this was also probably my fault. Later that week, dwelling on my own opinion and seeing plot summaries and other people's reviews, and even later on than that seeing actual bits of the movie again, I realised my instincts weren't wrong and I really did just see the worst piece of shite ever plastered across a cinema screen (Sucker Punch hadn't been made yet). "5 out of 10" had drooled its way out of my mouth in a clumsy attempt to sound balanced, to meet the expectations of the movie's core audience, marketing and its starving-children-mockingly excessive budget. 

And that's what it all comes down to, rating things out of 10 is bullshit. I give Cars a casual 5 out of 10 because I don't care about it as a piece of film, it just exists and it's kind of dumb but mostly fine. Monsters Inc. gets a 7 for being "mostly pretty good I guess", the 7 can be the summary of a larger opinion if you're smart and on the same wavelength as who you're talking to, but it can't be the justification or even worse: the explanation of your opinion. "I think this movie is good because my brain has filtered it between the arbitrary parameters of what a '7 out of 10' movie is". This is unacceptable, and it's almost everywhere within mainstream videogame criticism.

So what you need to know about me is; right now I am just doing this. It is nearly 9am in the gosh darn morning and I have not been to sleep yet, and everything you see above this was written in around 25 minutes with literally no planning whatsoever, the imaginary starting pistol went off in my brain and off I went. You know what I really like about writing? It helps me figure out what -I- think about things, and I don't need a deadline or obligation forces me to figure out what I think so I can put it into words, I literally mean when I put pen-to-paper or skin-to-plastic eventually I figure out what I want to say. 

Although it's impossible for a game review to not be a self-indulgent, borderline autistic, inane ramble like this currently is, videogames are art (GOD DAMN IT) and a concept for a review should start with a personal gut feeling about the overall product and then a portrayal of the writers own workings of figuring out where that gut feeling came from. What it should NOT (underlined, bolded, capped and put in italics just to show I mean business right now) be is a bureaucratic box ticking exercise of the game's mechanics and content. 

People can't be removed from game reviews because games will be (duh) played by people, so it's all the more perplexing the amount of reviewers who insist on critiquing them like they're dishwashers or something. Like they automatically get two stars simply for being "functional" these days. Not that I'm saying all reviews need to be written in first person and use "I" a lot, I mean I usually don't but today's game is a real special topic with me so I really wanted to come out of my shell a bit for it, but you can still inject a review with personality and I think it's important to do so. Getting REAL, like actual genuine people to talk about videogames and why they suck/are radical is

Well I have forgotten what game I'm reviewing right now, but isn't that the review of the game right there for you? Whatever it was it made no emotional or mental impact on me and therefore can't possibly be worth your time. So know that this game isn't recommended, honestly it's probably not even worth the bandwidth to get it through Bittorrent. You know, if everyone did just download their games through Bittorrent maybe that would finally eliminate all discussion of "lasting value" in reviews and the world might be a happier place. 

I think I just saved the fucking world.